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[381].Keith Christiansen, ‘Becoming Gentileschi: afterthoughts on the Gentileschi exhibition’, Metropolitan Museum Journal, vol. 39, 2004, p.10, pp.101——126, here pp.106——107.
[382].Anthony Blunt, Artistic Theory in Italy, 1450——1600 (Oxford, 1956).
[383].Letizia Treves, Beyond Caravaggio, exh. cat., National Gallery, London (London, 2016), pp.66——69.
[384].Kenneth Clark, The Nude: A Study in Ideal Form (New York, 1956), p.148.